Entries in kelley jo burke (42)

Friday
Apr242015

Review: The Lucky Ones, Cam Fuller, Saskatoon Star-Phoenix

Flawed characters find each other
BY CAM FULLER, THE STARPHOENIX APRIL 21, 2015

Well, it's not The Notebook.

The Nicholas Sparks tearjerker about a lifetime romance doesn't allude to the Inuit creation myth of Sedna.

The Lucky Ones does. Writer Kelley Jo Burke uses the rather disturbing story of the undersea goddess to poetically describe Enid's unique personality and the way she needs to be off in her own world, much to the frequent dismay of her husband, Marty. He's an obituary writer, of all things. She's - I missed it - an anthropologist? A folklorist?

The play begins with Enid's stroke. After many years of marriage, there are still some things that Marty needs to know, and he's not letting Enid duck out on him without some answers. (Burke doesn't load the deck in her favour with sentimentality but does get the emotional hooks into you by the climactic final speech.)

The new play at Dancing Sky Theatre makes many more demands on the viewer than would a shiny-perfect Hollywood movie.

The characters are not easy to warm up to, for starters. Marty (Sean Hoy) and Enid (Louisa Ferguson) are misfits with traumatic pasts.

Marty spent years tending to an ill mother who told him that as long as he made her laugh, she'd live. The day he couldn't think of anything funny, she died.

Enid's background is even more unsettling, a disturbing tale of sexual identity, parental hysteria and what amounts to torture.

It would be nice to actually like them, but Marty's clinging and insecurities put you on edge and Enid's fragility is unsettling.

You have to approach both gingerly.

This being an Angus Fergusondirected play, you can expect pleasing theatricality and artfully simple solutions to portraying difficult things.

Like, how does a person in a coma participate in a conversation? Or what's the best way to depict lovemaking without it turning into sex-ed?

Live music, another Dancing Sky hallmark, is here performed by Ross Nykiforuk, employing a variety of keyboard sounds (including some notes from Supertramp's Goodbye Stranger at a highly appropriate moment.)

But what really stands out is the acting, from the chemistry which is good, to the memory work which is monumental.

It's hard to believe that it's been seven years since Hoy trod the boards. His every-guy-ness is as warm as always.

And Louisa Ferguson's performance is stunningly accomplished, truly one of the best of the season. She invests completely in the role, fully inhabits this difficult woman and fathoms the depths with convincing emotions.

The Lucky Ones may not be a play you reflexively like but it's one that's impossible not to appreciate.

THE LUCKY ONES

Dancing Sky Theatre, Meacham To May 3, Thursdays through Sundays

Thursday
Apr092015

Tickets on sale for The Lucky Ones by Kelley Jo Burke, world premiere, Dancing Sky Theatre, April 17-May 3

The Lucky Ones

Harvest Hall Meacham SK

April 17, 18, 24, 25 May 1, 2 8:30pm

April 23, 30 8:00pm

April 19,26 May 3 2:30pm

Dancing Sky Theatre presents
The Lucky Ones by Kelley Jo Burke
A Premiere production
Featuring Louisa Ferguson and Sean Hoy
Music by Ross Nykiforuk
Stage Managed by Kenilee Kehler
Directed and Designed by Angus Ferguson

The Lucky Ones, is a story of mature love. It’s about Enid and Marty, who met by chance and despite genuine doubts about human relationships, fell for each other one summer night.  This touching and funny play is about their marriage, their life together, and the end of their life together.

The Lucky Ones is a companion piece to Kelley Jo's award winning play The Selkie Wife, which Dancing Sky Theatre premiered in 2008.

Saturday
Jul192014

The Reluctant Artiste gives a TedX Regina Talk

This is my TedX Regina 2014 talk about  what I learned while touring my creative non-fiction memoir, Ducks on the Moon. Thanks so much to Jayden Pfeifer, Johanna Bundon  and Nevin Danielson for putting together such a wonderful event. 

Monday
Jul072014

The Reluctant Artiste Willingly Directs a Play: Brita Lind's It's Complicated opens at the Regina Fringe

Tuesday
Jun242014

The Reluctant Artiste: The Heartbreak of CBPS (Chronic Big Picture Syndrome)

A friend of mine just became a grandmother. (Let me pause there for a minute. Hand to heart. Deep breaths. A friend of MINE is a grandmother. A peer. A childhood friend even. Someone who I remember vividly wearing a cat costume with divine black velvet ears and perky whiskers when it was totally not Hallowe'en, but just a Tuesday and her Grade Four self needed to release her inner kitty. I have a Grade Four Kitty friend with a gorgeous little grand-daughter, and a blissed-out-new-father son, smiling from the photo with his newborn on his chest, like he is old enough to have a new-born and not still playing Lego down in my rec room. Processing. Processing. Nope.) Let's try this again. 

A new person has come into the world and nothing will be the same again. Just because a birth is not an unusual thing,  that one occurs around the globe about four times per second, doesn't mean the first statement is not true. A life is in motion. A story has begun. And I am old enough to know that stories are not safe things. Things happen in stories. Bliss, pain, love, unbearable loneliness, ecstacy--these things come-- in tiny drops or tidal waves-- when a life is put in motion. But they come. And you can anticipate, or prepare or practice your dog paddle til you're blue in the mouth. But when it does come like a five story fist of water slamming everything known and safe to matchsticks, and throwing it out to a rubble tumble sea, you've got nothing, but to spread your arms and ride it to wherever your story's going. 

(This is not something you write in a "Congratulations on your new Grandchild!"card. I mean, clinically depressed, Gauloises-smoking nihilists would manage something with a nice bunny on it, and a gift card for Toys R Us.)

But I have gotten to the point where I don't see just the day, the moment--I am always looking to where the moment is going push the story next. I am always looking at what it cost to get to the moment. I have developed Chronic Big Picture Syndrome. 

Which has made this week a little challenging. Quite apart from Hello Grandma Kitty's news, my son is about to leave his elementary school, and go to high school. Now before you go, "Ah, she's going to wax all soppy about her youngest growing up, and leaving the nest, blah dee blah blah...let me be perfectly clear. As a CBPS sufferer, my problem is NOT fear of empty. I long for empty. I visualize it, late in the night, when the stories that are my children finally, for a few sweet seconds, rest, and I can go from flailing to gently bobbing atop their very full cross currents. 

I am just trying to keep it together as my CBPS threatens to overwhelm me. When my fellah stood up on the stage to take his "diploma" (and when did the end of Grade Eight become something that required pomp and circumstance? When did leaving Pre-school for that matter? How many times can we listen to "Good Riddance" by Green Day before we figure out that it's not a nice song, and that "I hope you had the time of your life" is a Fuck You that should not be lisped by four year olds wearing teeny tiny cocktail dresses and My First Fake Lashes?) anyway, when he took his diploma--all I could see was the story--the stories--of how he got there. And the stories he was being pushed towards, by Green Day and time. 

Those who have followed my writing around my younger son will know that he is on the autism spectrum, and getting him through grade school has involved lots of story. A lot of it good. I am thinking about his communication therapist who came to kindergarten with him every day, for months, after spending half a year in a model classroom, trying to acclimatize him to a classroom. And who just sat, and supported him, until he looked at her and said "You can wait in the hall." I am thinking about the teacher who threw her arms around me after she heard we'd won, and the school board had guarenteed an education assistant. I am thinking about the three teachers who sat like cats with canaries wriggling in their mouths, waiting to surprise me with testing that showed that my boy had gained three years of lost development--in one. The little girl who got between him and a bully--arm outstretched, looking firmly up at the aggressor. The big, gentle, unflappable male teacher who walked past my son, now a former student, and said ,"Hello wonderful boy." I am thinking of so many good, strong caring people who fought so hard to keep my son's story headed somewhere safe. 

That's a good thought, right? Except I can't stop there. I have CBPS so I have to also think about the other stuff in the story to date...the wondering how often I could arrive at work with bruises and swollen eyes without human resources stepping in. The year he talked about suicide every day for three months. The daily picture of him alone,  hunkered down on the playground, trying to avoid the older boys who harried him. The way that picture stayed on the back of my eyelids all day, so that every blink brought it again. The day he ran. And no one knew where. 

(Four blocks. Across a busy city street. One of his daycare workers, walking to work, found him in a November bare baseball diamond. He was "looking for food and shelter.")

And that's not all of it. I don't just see the story to date. I see the story to come. As the other kids in his grade received prizes for excellence in academics, or sports, or community involvement, and my boy sat and watched them move away and on, I saw next chapters headed our way...high school (and god, that's hard enough for the more standardly issued, what will it be for an Ichabod Crane tall, pock-faced autistic guy with all the wants and desires of any teenage boy and ZERO game?), adulthood--when every single bloody support for people on the spectrum basically evaporates, and I'm an old mum, how long can I work, keep a house, keep him safe? How will we even negotiate that--when all he wants is a home, a wife, a job, children (dear god, children---he is very clear on that point). This "turning point" this "fork stuck in the road" puts him a year closer to the rest of his life's story...and that my friends, opens us up on a big picture that anyone in the ASD community will tell you is complicated at best. 

So, forgive me if I seem to be holding my breath a lot. Forgive me if my eyes are awash in water and salt. I feel the Big Picture coming, right now, and it makes me want to write inappropriate things in baby cards....and have the wrong look on my face in proud-parent-of-the-grad photos. 

A new person comes into the world. A new story begins. And there is NOTHING than can stop that story's flow. So I spread out one arm, to try to keep myself afloat. And I wrap the other around him. And we take a big breath and get ready to ride, wherever the story is going. 

 

 

 

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